Foundry: Greater Albion Typefounders

  1. Bonnington Typeface
    Designer: Paul J Lloyd
  2. Gildersleeve Typeface
    Designer: Paul J Lloyd
    Gildersleeve evokes the spirit of the Arts and Crafts movement of the 1920s. Think of a hand-cut Roman display face,…
  3. Svengali Roman Typeface
    Designer: Paul J Lloyd
    Svengali Roman is loosely inspired by a scrap of 1920s newspaper posted in the Typophile font identification forum. The consensus…
  4. Brossard Typeface
    Designer: Paul J Lloyd
    Brossard is a slab serif face redolent of French atmosphere and the design ethos of the 1920s. Use it for…
  5. Paveline Typeface
    Designer: Paul J Lloyd
    Paveline is a punctuated script; by which we mean it has the look and character of handwriting, but the glyphs…
  6. Goldbarre Typeface
    Designer: Paul J Lloyd
    Goldbarre is a finely engraved slab serif face in the spirit of ‘between the wars’ commercial confidence. It’s a solid…
  7. Cherritt Typeface
    Designer: Paul James Lloyd
    Cherritt is described by its foundry as a ‘go anywhere’ family it can be equally at home captioning a sepia…
  8. Chiara Script Typeface
    Designer: Paul J Lloyd
    Chiara Script has a very simple origin. It’s a highly stylized interpretation of Greater Albion’s chief designer’s handwriting! It combines…
  9. Sabio Typeface
    Designer: Paul J Lloyd
    Greater Albion Typefounders describe Sabio as an evolutionary face. By this they mean that it merges elements of script and…
  10. Plebia Typeface
    Designer: Paul J Lloyd
    The 1930s, 40s and 50s contribute many elegant and clean font families to the design canon. Plebia"the plain font•€"is Greater…
  11. Sabinard Typeface
    Designer: Paul J Lloyd
    Sabinard offers a distinctive form of ‘Swash’ lettering. It is excellent for poster work, or for headings and titles. Its…
  12. Vectis Typeface
    Designer: Paul J Lloyd
    Vectis, named in honour of the Roman settlement of Britain's south coast on the Isle of Wight, brings a fresh…
  13. Vertrina Typeface
    Designer: Paul J Lloyd
    Vertrina marries four virtues: elegance, simplicity, character and usefulness. It started as an idea to combine two things. Those two…
  14. Slatterine Typeface
    Designer: Paul J Lloyd
    Slatterine is a retro-futuristic family, inspired by the second streamline era of the 1950's It's ideal for any design work…
  15. Stannard Typeface
    Designer: Paul J Lloyd
    Stannard speaks to us of the happy days of the inter-war period, of enamel advertising 'street-jewelry' as seen on the…
  16. Whitehaven Typeface
    Designer: Paul J Lloyd
    Whitehaven is the spirit of the Art Deco movement made into a very solid and blocky Sans Serif font. The…
  17. Veneribe Typeface
    Designer: Paul J Lloyd
    Veneribe -the Venerable face- is an experiment in what many today might call 'grunge', though we at Greater Albion would…
  18. Valentine’s Fleurons Typeface
    Designer: Paul J Lloyd
    Valentine’s Fleurons is a bit of romantic (the emotion, not the era) fun!. Need a few dingbats for that special…
  19. Bamberforth Typeface
    Designer: Paul J Lloyd
    Bamberforth is a new take on the type of letering that was often seen on Railway timetables, share certificates and…
  20. Absinette Typeface
    Designer: Paul J Lloyd
    Absinette takes us straight back to 19th century France. Its a decorative famiy of Roman faces in three widths as…
  21. Bertolessi Typeface
    Designer: Paul James Lloyd
  22. Pittsburgh Typeface
    Designer: Paul James Lloyd
    Pittsburgh is the latest (as at August 2011) in a range of inter-war American inspired commercial faces, and takes its…